When starting as an artist rather than waiting for a big idea, I took my camera to the city. I took pictures of everything and anything that interested me. I just pressed and released the shutter. When l reviewed my photos, l realised that l was naturally discovering interesting material. My ideas came from living, painting and repeating. When returning to the city with my camera, l followed my natural curiosity and my ideas deepened and expanded. At times it was hard to choose which way to take my work. It was essential to review and understand what l had. I took many directions but kept returning to taking photos… Read More »Live, paint, repeat
Juggling a Job, While Being a Parent and an Artist At times I have found juggling a full-time job while being a parent and starting a career as an emerging artist, very frustrating. When I have tried to put in lots of effort in my art career, my family time and job has suffered this, in turn, has left me feeling unhappy. I have read about artists, like Picasso and Matisse who decided to prioritise art at the cost of everything else in their life including their family. I think the choices they made don’t suit me. By putting my family first, it means prioritising family time and paying the bills. Art has ended… Read More »Juggling life as an artist
Drawing, The creative act Allowing freedom in the studio for creative exploration is essential. When I work on a plain sheet of paper or in my sketchbook, I seek to have an openness in my drawings that allows and embraces a large number of directions and options that can be pursued. A chain of evolution takes place in my pictures over an extended period of time and patience is essential. Working on and towards a finished piece too early can make the outcome contrived and often can leave me frustrated. This explorative phase is more like a problem-creation stage than a problem-solving stage. I am looking to generate new ideas… Read More »Drawing, The creative act
How do I begin an artwork? What equipment, materials and techniques do I use? My work starts with street photography. I wander the streets as a Flaneur. Charles Baudelaire, the nineteenth-century poet described a Flaneur in his essay ‘The Painter of Modern Life’ as a stroller and loafer of the city streets observing modern life. Likewise, l wander around the city like a man of leisure as l try to take it all in. Following my intuition and hunches, I take pictures of what seems important to me. I look to capture that important element in the frame of my viewfinder, the essence of the importance of life. The photographs… Read More »How do I begin an artwork?
What do I enjoy about my time in the studio A studio is a place of unique freedom; it is a place for me and my thoughts where I can figure things out. It is a place to use my intuition to look for problems, get things wrong, make mistakes and follow a hunch. I have learnt a way to lie to myself, and accept whatever comes out of the creative act is good enough. I feel a strong need and desire to process the world. Thinking about my artwork is done in pencil and paint as I process what I see, as I look to figure how to process it. I believe… Read More »Enjoying my time in the art studio
Art is about using your creativity to make new connections to things around you. The intention is to reconsider what you previously thought to give you a better understanding of what life is really about. Creativity in art is really about playing and experimenting. Taking two random things and letting things happen. Being overly self-critical or self-conscious can prohibit a breakthrough. You’re not trying to re-invent the wheel; you need to encounter discomfort and ignore any fears and tell yourself, this is for me and try not to worry what other people think. You could connect something banal like house bricks, reflecting coldness and the mundane, as a wake-up call to the excesses… Read More »The secrets of art and creativity