I remember watching the film Pulp Fiction, in that movie, there was a great power in the mystery of what was in the suitcase. In the film, we never find out. The mystery of not knowing was more powerful than knowing. I see there is enormous potential for interpretation by the viewer. I want to add mystery to my artwork so the viewer can interpret the work the way they see it. The audience can bring their own intentions, baggage and ideas. I want the viewer to look at the artwork and let their mind wonder. Representational art discusses drawing, handling of paint, skill, composition; it also can be used to… Read More »Representational v abstraction
behind my work
How do I begin an artwork? What equipment, materials and techniques do I use? My work starts with street photography. I wander the streets as a Flaneur. Charles Baudelaire, the nineteenth-century poet described a Flaneur in his essay ‘The Painter of Modern Life’ as a stroller and loafer of the city streets observing modern life. Likewise, l wander around the city like a man of leisure as l try to take it all in. Following my intuition and hunches, I take pictures of what seems important to me. I look to capture that important element in the frame of my viewfinder, the essence of the importance of life. The photographs… Read More »How do I begin an artwork?
What do I enjoy about my time in the studio A studio is a place of unique freedom; it is a place for me and my thoughts where I can figure things out. It is a place to use my intuition to look for problems, get things wrong, make mistakes and follow a hunch. I have learnt a way to lie to myself, and accept whatever comes out of the creative act is good enough. I feel a strong need and desire to process the world. Thinking about my artwork is done in pencil and paint as I process what I see, as I look to figure how to process it. I believe… Read More »Enjoying my time in the art studio
A dialogue between me and my work. I have an inherent need to communicate and express something. As I am constantly looking for a new way to read the world to understand the physicality of forms. I see my practice as an exercise of being a painter/curator of moments of our lives; reclaiming a more agreeable melody, restoring, reordering and decluttering to focus on what is truly important. By focusing on the space and the possibilities of structure and composition, I hope to emphasise the beauty and harmony from the chaos in the city, to invoke a new reading of its noise, movement and pattern. By revealing things through a… Read More »A dialogue between me and my work