When starting as an artist rather than waiting for a big idea, I took my camera to the city. I took pictures of everything and anything that interested me. I just pressed and released the shutter. When l reviewed my photos, l realised that l was naturally discovering interesting material. My ideas came from living, painting and repeating. When returning to the city with my camera, l followed my natural curiosity and my ideas deepened and expanded. At times it was hard to choose which way to take my work. It was essential to review and understand what l had. I took many directions but kept returning to taking photos… Read More »Live, paint, repeat
behind my work
I remember watching the film Pulp Fiction, in that movie, there was a great power in the mystery of what was in the suitcase. In the film, we never find out. The mystery of not knowing was more powerful than knowing. I see there is enormous potential for interpretation by the viewer. I want to add mystery to my artwork so the viewer can interpret the work the way they see it. The audience can bring their own intentions, baggage and ideas. I want the viewer to look at the artwork and let their mind wonder. Representational art discusses drawing, handling of paint, skill, composition; it also can be used to… Read More »Representational v abstraction
My idea of success is linked to what l have rather than what l haven’t. It is common to hear of success being tied to financial wealth. That isn’t success for me; profit does not drive my artwork. I have the opportunity to discover who l am, to find my own voice, to find my true self through my art. My goal is to make better work today than l did yesterday, it is as simple as that. I finished university in 2006 and when l look at my early paintings l can see l have taken small progressive steps each year. Now over ten years later l know l have made significant… Read More »Making better work than I did yesterday
Beginning an artwork My work starts with street photography. I wander the streets as a Flaneur. Charles Baudelaire, the nineteenth-century poet described a Flaneur in his essay ‘The Painter of Modern Life’ as a stroller and loafer of the city streets observing modern life. Likewise, l wander around the city like a man of leisure as l try to take it all in. Following my intuition and hunches, I take pictures of what seems important to me. I look to capture that important element in the frame of my viewfinder, the essence of the importance of life. The photographs I take allows me to record a rich visual diary.… Read More »How do I begin an artwork? What equipment, materials and techniques do I use?
A studio is a place of unique freedom; it is a place for me and my thoughts where I can figure things out. It is a place to use my intuition to look for problems, get things wrong, make mistakes and follow a hunch. I have learnt a way to lie to myself, and accept whatever comes out of the creative act is good enough. I feel a strong need and desire to process the world. Thinking about my artwork is done in pencil and paint as I process what I see, as I look to figure how to process it. I believe that what I am trying to grasp through… Read More »What do I enjoyabout my time in the art studio?
I have an inherent need to communicate and express something. I am constantly looking for a new way to read the world to understand the physicality of forms. I see my practice as an exercise of being a painter/curator of moments of our lives; reclaiming a more agreeable melody, restoring, reordering and decluttering to focus on what is truly important. By focusing on the space and the possibilities of structure and composition, I hope to emphasise the beauty and harmony from the chaos in the city, to invoke a new reading of its noise, movement and pattern. By revealing things through a slow open process, my work uncovers the importance… Read More »A dialogue between me and my work