What unmistakably stands out for many painters are the long silences they have standing in front of an artwork. Often time almost stands still in both the studio and gallery. To an outsider, this may appear to be an unproductive period, as they digest what is in front of them. However, for me, this time is extremely valuable. l find that as l digest what is in front of me my imagination is inspired, triggering thoughts that often leads new works. So here I am at Mori Corvi show to see Lynette Yiadom-Boakye’s latest show, ”A Mind For Moonlight’. Lynette, the London based Ghanaian artist, was 26 when she graduated… Read More »Something essential, a review of Lynette Yiadom-Boakye exhibition
Art exhibition reviews by Stuart Bush
It wasn’t that long ago that there was a common belief that humans were separate from the natural world. If people wanted to experience the fundamental characterises of the sublime the only option was to journey to the countryside to observe nature and the natural world. In his new show at the Tate Modern in London, the artist Olafur Eliasson attempts to bring the sublime to the city. When l visited this art exhibition l saw the physical response to the wonders of nature. Eliasson highlights that not only are we part of the environment, that Art, can directly acknowledge and portray a wake-up call that draws attention to the… Read More »Through an Olafur Eliasson moment can art change the world?
It is hard to understand the incongruities between a successful artist and the work of mere mortals like the rest of us. I want to put into words how can a simple drawing of an object can be turned into a world-class sculptural form. Michael Craig-Martin, the once significant tutor of the YBAs at Goldsmith between 1974-1998, is now showing his latest sculpture at the Gagosian Gallery on Britannia Street in London. Is it the snap at the moment of impact when seeing his work, where he is best in the game? Is it the skill of his placement that no one else comes close to? Or is it the… Read More »Michael Craig-Martin; Sculpture review
A love story between a painter and the subject Elizabeth Peyton review – Sadie Coles London until 15 June 2019 Elizabeth Peyton returns to London with exhibition paintings and prints at Sadie Coles Gallery. The first thing I am drawn to as I view this new body of work is her passion for painting and the people she depicts. Over the years the configurations of her paintings have become more and more involved. The subject matter is still the same but Peyton’s use of light, colour and poignancy has compounded. She brings out more physical aspects in her lush romantic paintings. It is perhaps surprising that a few abbreviated spontaneous… Read More »Elizabeth Peyton review
The first thing I noticed about Chantal Joffe’s paintings at Victoria Miro, in London, is that they challenge the concept of beauty. Joffe paints the female figure, often in unstinting and frank disclosure. There is a directness that is fascinating, every blemish and every wort is on show. From the gradual decay of the sitters through to the triumph of their existence, Joffe painting’s depicts and embodies her muses. By portraying the intensity of the moment, she gives the viewer passage to understand how they feel. The gritty truth of life is there for all to see as it comes slapped down in a painterly splurge. It is in Joffe’s nature to dig… Read More »Chantal Joffe asks; What is it like to be somebody else?
The EY Exhibition: Van Gogh and Britain Tate Britain, 27 March – 11 August 2019 Van Gogh arrived in London in 1873 at 20 years old and spent just under three years as an art dealer’s assistant. Although he didn’t start painting until four years after he left, this exhibition proposes that London had a significant impact on his art and influenced many of his works. I went along to take a closer look at Van Gogh’s paintings and to see what I thought of the exhibition claims. London in the 1870s was an exciting place to obverse people and places. It was overtly brimming with life. Van Gogh regularly… Read More »A brush load of life – Van Gogh review
David Salle, the 65-year-old artist from Norman, Oklahoma, who has amassed many international shows around the world is back. He has made a promising return to London at the Skarstedt Gallery, with a series of work titled, ‘Musicality and Humour’. I had high expectations of his work after recently reading his book ‘How to See’ in which Salle explores the work of his peers and undresses the role of the artist and writer. Salle seeks to inform newbies like me how to paint and interestingly, how writing helps artists to understand their own work. Entering the gallery, I saw the first crowd pleaser, ‘S.P. Divide’, (2018-19). I feel a little overwhelmed… Read More »David Salle undressing the role of the artist and the writer
Tracey Emin’s career was made on ‘My bed’ (1998) and ‘Everyone I have Ever Slept with 1963-1995’ (1995). Other career highlights include Charles Saatchi’s ‘Sensations’ exhibition at the Royal Academy in 1997, her Turner Prize nominee in 1999, and her large retrospective at the Hayward Gallery in 2011. Emin’s reputation has been founded on not only making upfront work and disclosures documenting her colourful life but also for her mastery and skill with a brush in her hand. I went to her latest show at the White Cube in Bermondsey titled ‘A Fortnight of Tears,’ to see if Emin, now that she is 55 and a Royal Academician, is she still relying on shock and revelations about… Read More »Tracey Emin, ‘A Fortnight of Tears,’ exhibition review
Anni Albers at Tate Modern (11 October 2018 – 27 January 2019) There was clearly was a buzz in the room when I entered the show at the Tate Modern. It was Saturday afternoon and the show was packed with inquisitive faces. The Anni Alber’s exhibition was arranged to highlight her life’s work and show how her ambitious ideas started. The ancient craft of weaving portrays the potential to impact peoples lives with beauty and functionality on its own terms. Textiles are at the heart of many cultures and this knowledge is passed on through the generations. In this exhibition Anni Albers weaves her magic, by combining the attitude of the Bauhaus… Read More »Anni Albers weaves her magic
There is something very solitary about Isle D’Hollander’s art. She paints modest and subtle paintings that float in and out of abstraction. In this review of her exhibition at Victoria Miro in Mayfair, I want to discuss her work as she immerses herself in the now, and interpret the open questions she asks through painting. D’Hollander’s paintings are like a form of mediation with Belgian landscape; as she tries to capture aspects of the illusion we see. The uncomplicated studies are painted from memory after long walks and cycle rides. They have a tranquillity resembling the gently, rolling, green landscape. They are instruction us to be more present with regards to nature,… Read More »Isle D’Hollander – in and out of abstraction