In 2004, I started to make a visual diary. It is a great way to tune into what feels important. My visual diary has slowly developed and transformed over many years into a multifaceted body of work. This body of work, like Marlene Dumas’s work, has recorded many of the moments in life that felt relevant and significant. It helps me understand and consider the things l am doing a bit better.
Writing about Marlene Dumas’s artwork enables me to articulate what l see and then go deeper into what l, myself, want to achieve when l stand in front of the canvas. Painting is a positive act, it needs to be made with love. A love for life and a love for the subject matter. And more importantly the urge to understand. Through painting, painters record the tension of the making.
When Marlene Dumas paints she paints a metaphor of life. Every painting, like every day, is a constant struggle and wonder. Where fluency and expertise take you to somewhere completely beyond what you see. With every moment and movement on the canvas, she ponders a deeper understanding of what life is all about. As each painting unfolds she records what it feels to be alive.
With a brush in her hand, Marlene Dumas has a power. If she did not make her visual diary, her life’s work, she has nothing. She works with materials to record the strain. Using bold expressionist marks she records the gestures of figures, the beauty, and ugliness of life. Then by destroying the surface, her own personality is allowed to come through.
Dumas like many other painters, me included, use paint to deal with the randomness of life. It proves that she exists. Just like the primitive man did thousands of years ago when they painted in the caves. It says that her life mattered. At the heart of it, Marlene Dumas is an old fashioned expressionist as she grasps at the unknown.
I hope you enjoyed reading Marlene Dumas: the painter’s life.
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“The biggest mistake as an art student, is to try to learn from an artist example. If you like Philip Guston, you can not learn from how a hand holds a cigarette, the motive from him. You have to learn to step one step further back. To understand the method without figures. How they do it before they do it.” Quote by Tal R. Playing around with gouache paint on paper in the studio #stuart.bush #gouachepainting #lineartwork...
Congratulations to Jenny Saville from London for winning my June print giveaway. The print ‘Just a feeling and not just the truth’ looks great at the bottom of your stairs, on your hall wall.
It was nice to meet you, talk, and chat by delivering the framed print in person. I hope your husbands gets better soon. Best wishes.
It is easy to feel helpless, like we are in the flow of the river. And we are looking for something to grab hold of. To pull ourselves out. This is where I think art can make a difference.
Connecting us with our sense. I hope my print can help to do that. I’m into beauty, but not pretty pictures. I want to make something that rattles you and makes you think. Art on your wall, and this print in particular, can ￼help you to reflect on the moment, and the past and of course the present.
When you look at it once, it hasn’t sunk yet. It takes repeated viewing. When you live with an artwork in your walls and you see it everyday, the artwork slowly reveals itself. #printgiveaway #artprints #framedartwork...
“Free and alone in the maze of the city, the flâneur craves a revelation that might change his life and destiny.” Quote by
Federico Castigliano #flaneur #inthecity #figurepainting painting by #stuartbush...
Reed Hoffman said “if you're not embarrassed by the first project you launch you're too late” I feel awkward and uncomfortable showing these new artworks for the first time. It is still #workinprogress...