5 ways sleep can improve your productivity in the artist’s studio I have often encountered problems in the studio. It has taken me a long time to realise how to put it in perspective and move forward quickly. I might have an issue with a painting, and the next step would be unclear, and I would sit there contemplating ideas to solve it. I have learnt to realise that at a certain point, of staring at the painting, I am not going to find a resolution in that moment. I now reach a point when I know I need to move on to another piece of work. I usually have two to… Read More »Sleep – productivity in the artist’s studio
I am enthusiastic to tell you about my new exhibition next month. I want to connect with bigger things than my art or myself and I have decided I want to help in situations where there can be a difference between life and death. The local regional Air Ambulances mission is to provide a rapid response to trauma and medical emergencies and is vitally important. I want to do my bit by supporting the local Air Ambulance charity. To this end l have decided to give 50% of the sales from my next art exhibition in April to the charity. The local regional air ambulance fly two helicopters across the… Read More »My Charity Art Sale
I am always looking for ways to improve my output, whether I want to be creative or when I need to complete business tasks. I recently read ‘Maker’s Schedule, Manager’s Schedule‘ an essay by Paul Graham. Paul Graham is a blogger, computer programmer and entrepreneur. He is known for Lisp, his former startup Viaweb (later renamed, Yahoo! Store), co-founding the influential startup accelerator and seed capital firm Y Combinator. Let me explain how Paul Graham’s essay helped me refine my time to help me be more productive, especially in the studio. Paul Graham’s Maker’s schedule relates to computer programming. His maker’s schedule is generally about scheduling creative time, an uninterpreted period of about… Read More »Redefining my studio time
A painting paradise – A review of Peter Doig exhibition at Michael Werner, London A fictional world of colourful hues surrounds me as I go from one work to another. I feel like I’m between cultures and countries at Peter Doig’s show at the Michael Werner Gallery, London. Peter Doig born in 1959 in Edinburgh, has lived in Trinidad since 2002. He studied at Wimbledon School of Art, Saint Martins School of Art and Chelsea School of Art. He is a professor at the Fine Arts Academy in Dusseldorf, Germany. In reviewing this exhibition, I’m interested in contemplating Peter Doig methods, techniques, and content in order to consider how an acclaimed artist approaches… Read More »A painting paradise – Peter Doig review
Obstacles I have overcome – being a perfectionist One of the lessons and obstacles I have learnt to deal with is being a perfectionist. Over the years I have visited many galleries and museums and enjoyed looking at other artists work. I use to look at other artists work and compare my work to theirs. But l now realise that looking at other artists work and comparing mine to theirs is counterproductive. Instead of being helpful the visits made me focus on my insecurities as an artist. I would ask myself; Am l talented? Is my work good enough? And, what if no-one likes my work? I was creating an… Read More »Overcoming being a perfectionist
With consumerism at the forefront of western society and seen as the purpose of life, we live to work, to earn and to consume, this is a significant part of our lives. However, I find myself drawn to expressing an alternative view of life through my art. Why do I paint..? I want to communicate what I see. Although many people see painting as being based on traditional values and having a limitation to address contemporary issues, I believe that painting offers the challenge of finding new meanings. I see it as a way to create new insight and uniquely capture people’s imagination. Some people might see this view of… Read More »Why do I paint?
It is amusing to me to remember how naive I was when I finished art school. I expected to be a finished article, ready to be able to take on the world. However, I slowly realised I had a lot to learn to be a successful artist. All I really had in place at this point were a couple of foundations. I had learned to resolve problems through experimenting and by researching. I can remember trying to make a particular grass coloured green that would work well with other colours on a painting. It was very frustrating working on a painting and being pleased with the results and then completely… Read More »Understanding the qualities of colour
The question, ‘What is success to me?’ has made me think a lot about why I have chosen to be an artist and what I want to achieve. Every artist has a different view of success, and what it means to them. Success may include; enjoying the process, the blood, sweat and tears invested in the work, attainment of exhibition space, residencies, peer recognition or column inches and often it can be seen as material and personal gain. However you are putting a lot of pressure on yourself if your measure of success is to have all of this. There are a lot of artists out there in the world and… Read More »What is success to me?
Rose Wylie exhibition review; the benefits of having a independent studio practice Rose Wylie was born in 1934 in Kent. She studied in Folkestone and Dover School of Art and at the Royal College of Art. After completing her MA at the age of 47, she started her career and since then has spent most of her time in the art world wilderness. In the last few years however, Rose’s career has taken off, and she is receiving deserved recognition. She has won the Charles Wollaston 2011 and the John Moores 2014 prizes and has her latest show at the Serpentine in the Sackler Gallery. Rose Wylie’s work is a… Read More »Rose Wylie exhibition review
The spaces we live and survive in – Rachel Whiteread Rachel Whiteread was born in 1963 and grew up in London. After studying painting at Brighton Polytechnic she enrolled on a sculpture masters at Slade School of Art. Rachel takes casts of familiar objects like hot water bottles and furniture. She uses the traditional casting processes of plaster, resin, rubber and concrete to encourage the viewer to rethink their spatial relationship with everyday forms. In this review of Rachel’s exhibition at the Tate Britain gallery in London, I’m interested in exploring what it is that is so intriguing about Rachel’s exploration of space and what I can learn from her approach to making art. Tate… Read More »Rachel Whiteread at Tate Britain