Stuart Bush, How does new art work come about? things that catch my eye

How does a new art work come about?

Things that catch my eye There is a belief that if you allow yourself, it be distracted from earning money and a professional career like being an accountant or a lawyer; it is to play away from what is essential. I’m afraid I have to disagree. Since I was a child, I have allowed myself to be pulled down a rabbit hole. When most people move on with turning their life away from play, I have stuck at it, allowing myself to indulge in a belief that an interest in what I notice is of value. I have given perception, high importance in my life. I feel lucky to be… Read More »How does a new art work come about?

Bridget Riley art, stuart bush, art exhibitions london,

Bridget Riley Art Review

Swimming through a diamond – Bridget Riley Art Exhibition London review   Almost anyone who loves art would be interested to know what the first experience of discovery is like. The moment when a painter notices that ‘something’, and has the opportunity to capture it all.  Leading to the dream of a fantastic career as an artist, with an absolute breath-taking body of work, accumulating in a career beyond belief that makes you go goggle-eyed.   I imagine Bridget Riley in 1960, aged 29 years old walking by a lake. Her arms are heavy, after a frustrating session in the studio. She is young, gifted and hopefully going places.  Her… Read More »Bridget Riley Art Review

marlene dumas paintings, the painter's life, stuart bush

Marlene Dumas: the painter’s life

Marlene Dumas: the painter’s life In 2004, I started to make a visual diary.  It is a great way to tune into what feels important. My visual diary has slowly developed and transformed over many years into a multifaceted body of work.  This body of work, like Marlene Dumas’s work, has recorded many of the moments in life that felt relevant and significant. It helps me understand and consider the things l am doing a bit better.   Writing about Marlene Dumas’s artwork enables me to articulate what l see and then go deeper into what l, myself, want to achieve when l stand in front of the canvas.  Painting… Read More »Marlene Dumas: the painter’s life

Stuart Bush Studio Notes, artist Eric Fischl,

‘Bad Boy’ by Eric Fischl – book review

‘Bad Boy’ by artist Eric Fischl – book review I imagine when artist Eric Fischl wrote ‘Bad Boy,’ about his journey as an artist, it must at times been excruciating to write.  Fischl along with his co-author Michael Stone goes deep with stories about the uncertainty of life as an artist.   He includes narratives of middle-class white America, from his messy dysfunctional family to his roller-coaster career.  However, the highlight for me is the journey Eric Fischl took to realise the type of artist he wanted to be.   Eric Fischl talks a lot about his time at art school at CalArts, California Institute of the Arts under the… Read More »‘Bad Boy’ by Eric Fischl – book review

Painting Freedom – Albert Oehlen review

Painting Freedom – Albert Oehlen review As a painter in today’s cacophony of visual possibilities, where would l start if l was trying to build a perfect painting practice and what would such a practice look like?  Especially if I wanted to leave myself and the viewer guessing what l was going to paint.   When I looked at Albert Oehlen paintings I wondered where he started.  Looking at his paintings in his latest show at the Serpentine, London, it is hard to imagine how he ended up here.  Albert Oehlen’s paintings have moved past his previous discord into the beauty in the conflict and almost defy categorisation.  I realise that Albert Oehlen… Read More »Painting Freedom – Albert Oehlen review

Overcoming fear, one brushstroke at a time, stuart bush, stuart bush studio, contemporary artist

One brushstroke at a time

Overcoming fear by taking one brushstroke at a time I want to share with you, a story about how I overcame my biggest obstacle and my biggest fear. As I look back to when I finished my post-graduate course in Fine Art in 2007, aged 29 years, I am still surprised how naive I was. I thought I only needed to display my artwork in a proper gallery, it would be seen by someone in the know, and I would be an overnight success.  How wrong can I get it!  I realise there is no such thing ‘god’s gift’. Unsurprisingly quick success didn’t happen. Instead, shortly after graduation, I had a… Read More »One brushstroke at a time

Stuart Bush Blog, Learning how to live as an artist, The slipping of pattern and form

Learning how to live as an artist

Learning how to live as an artist – Stuart Bush Studio Notes It feels like it has taken me a long time to work out what I think is important and to trust myself.  When it comes to sharing my errors and experiences, I want to be an open book.  There is a lot to learn from small discoveries, successful experiments and breakthroughs, in the studio, in life and from a positive personal outlook.  There is also stuff that I wish someone had shared with me.  I use to hate making mistakes.  However, now, my perspective on how to live as an artist has turned full circle.  I am grateful… Read More »Learning how to live as an artist

Ego is the Enemy by Ryan Holiday book review, Stuart Bush Studio

Ego is the Enemy – Book Review

We have all come across people who appear cocky and arrogant. People with massive high opinions of themselves.  People who seek the attainment of superiority and ascendancy above making a real difference to others in this world.   When I come across people like this, they always rub me up the wrong way. As an artist, at times I can get overly focused on my work, like most people who enjoy what they do.  However, I don’t want my confidence to turn into arrogance. I am very mindful that I don’t allow my focus to lead me to be self-absorbed and egocentric.   Luckily, I have come across the excellent… Read More »Ego is the Enemy – Book Review

©Charline Von Heyl, It's Vot's Behind Me That I Am (Krazy Kat), 2010 all rights remain with the artist

How Charline Von Heyl inspires me

How Charline Von Heyl inspires me The next Picasso or Braque will not invent cubism.  The next Peter Blake or Andy Warhol will not invent pop art.  And the next Jackson Pollock or Willem de Kooning will not create the Abstract Expressionist movement.  If you are copying these guys, you aren’t learning from them.  I realise that of the many successful artists following their path, however, Charline Von Heyl has figured out the real definition of success on the canvas.   Von Heyl understands how highly successful artists through the decades have been volleying the ball between themselves.  In order to create a meaningful and significant occurrence on the surface… Read More »How Charline Von Heyl inspires me

Stuart Bush Studio, Lynette Yiadom-Boakye

Something essential, a review of Lynette Yiadom-Boakye exhibition

Something essential, a review of Lynette Yiadom-Boakye exhibition What unmistakably stands out for many painters are the long silences they have standing in front of an artwork. Often time almost stands still in both the studio and gallery. To an outsider, this may appear to be an unproductive period, as they digest what is in front of them. However, for me, this time is extremely valuable. l find that as l digest what is in front of me my imagination is inspired, triggering thoughts that often leads new works. So here I am at Mori Corvi show to see Lynette Yiadom-Boakye’s latest show, ‘A Mind For Moonlight’. Lynette, the London… Read More »Something essential, a review of Lynette Yiadom-Boakye exhibition