Painter Killed By Critique Of His Own Bad Art

Most artists share the same fear and dread, a bad review!  You think it’s all over.  It makes you feel reluctant to share your work. I can imagine the day a museum curator knocks on my studio door with good news, and there is no answer.  The bell keeps ringing…. The curator keeps trying to get an answer until he/she realises something terrible might have happened.  Eventually, they gain access to find me dead under an incredible amount of bad art.  So much so that they can just see two feet sticking out of the bottom. Do they run for help? No, they are horrified by how much bad art… Read More »Painter Killed By Critique Of His Own Bad Art

Tracey Emin, ‘A Fortnight of Tears,’ exhibition review

Tracey Emin’s career was made on ‘My bed’ (1998) and ‘Everyone I have Ever Slept with 1963-1995’ (1995).  Other career highlights include Charles Saatchi’s ‘Sensations’ exhibition at the Royal Academy in 1997, her Turner Prize nominee in 1999, and her large retrospective at the Hayward Gallery in 2011.  Emin’s reputation has been founded on not only making upfront work and disclosures documenting her colourful life but also for her mastery and skill with a brush in her hand.  I went to her latest show at the White Cube in Bermondsey titled ‘A Fortnight of Tears,’ to see if Emin, now that she is 55 and a Royal Academician, is she still relying on shock and revelations about… Read More »Tracey Emin, ‘A Fortnight of Tears,’ exhibition review

The ultimate experience – Crashing Wave by Mary Heilmann

At the Whitechapel Gallery in 2016, many thoughts rushed through my mind the first time I saw the painting ‘Crashing Wave (2011)’ by Mary Heilmann.  As I looked at the painting it evoked a special moment.  I remember being out on my body board on Manly beach, Australia, at complete peace with my surroundings.  The air was crisp, and the sun was bright as I pitched forward. I kicked with my flippers while paddling hard with my hands as I took off down into a crystal clear barrel wave. I rode the perfect wave, a foaming mass of white water.  The ultimate experience!   It was a weird feeling being out in… Read More »The ultimate experience – Crashing Wave by Mary Heilmann

I love my work more than what it produces

I am happiest when I realise that there is something to investigate, something that doesn’t quite fit.  I love the slow development of an idea.  The slow convergence of thoughts that often come after a period of incubation. l realise then that there is a problem worth tackling, a problem that is going to become my muse.  It is exciting to think that possibly, this concept hasn’t occurred to anyone else.  If it has occurred to someone before me, they will likely approached it in a completely different way.  I love my work more than what it produces.   I love going deeper, I just follow my hunch and allow… Read More »I love my work more than what it produces

It takes discipline to have creative freedom

I crave for a life without physical, mental or financial constraints.  It has been my intention not to have limits on what I do, what I say or how I spend my time.  I want to make what I want, when I want.  One of the attractions of being an artist is the concept of free expression.  However, our culture, often wires us up to do what is safe and sensible.  In my experience, it takes discipline to have creative freedom.     Commercial art is a good, sensible way of making a living from art.  It has a project outline, a list of do’s and don’ts and set deadlines. To get paid you… Read More »It takes discipline to have creative freedom

Anni Albers weaves her magic

Anni Albers at Tate Modern (11 October 2018 – 27 January 2019) There was clearly was a buzz in the room when I entered the show at the Tate Modern. It was Saturday afternoon and the show was packed with inquisitive faces.  The Anni Alber’s exhibition was arranged to highlight her life’s work and show how her ambitious ideas started.  The ancient craft of weaving portrays the potential to impact peoples lives with beauty and functionality on its own terms. Textiles are at the heart of many cultures and this knowledge is passed on through the generations.  In this exhibition Anni Albers weaves her magic, by combining the attitude of the Bauhaus… Read More »Anni Albers weaves her magic

The inspirational work of Franz Kline

The first time I saw the inspirational work of Franz Kline was at the Abstract Expressionist exhibition in 2017 at the Royal Academy in London. Prior to that, I had only seen Kline’s work in reproductions in books.  I had always been intrigued and impressed by his paintings and when I saw his original work for the first time l was not disappointed. Kline’s work had a strong impact on me. It evoked the feeling and emotions that l have about the city.  It reminded me of the grandeur and the scale of the New York skyline.  Using line and form, his mainly black and white paintings, ask ‘Is this really what… Read More »The inspirational work of Franz Kline

An art collector’s role in society

In Malcolm Gladwell’s book, ‘David and Goliath, Underdogs, Misfits and the Art of Battling Giants,’ Gladwell considers how disadvantages can be advantageous.  I found his book insightful and it made me think about the art collectors role in society.   The book starts with the story about the conventional interpretation of the familiar biblical tale of David and Goliath.  In the story David is the symbol of the underdog. However, Gladwell explains in his interpretation, that there is another view of the ‘underdog’. Related post; An art collector role in society Finding a love for collecting art   David’s sling is a devastating weapon.  It was one of the most feared weapons… Read More »An art collector’s role in society

I needed to find my new painting in my last painting

When I started out and sought to develop my work into an artistic practice I often used to get very frustrated and disappointed when I felt I had made an unsuccessful work of art.  As the piece was near completion judgemental voices in my head would take over saying, “this isn’t good enough,” “you’re not good enough” and “you’re never going to make a go of this”.  But over time I have learnt that I need to find my new painting in my last painting. After a bad day in the studio, I use to stare at the canvas.  I would feel disillusioned and there would seem to be no way forward.… Read More »I needed to find my new painting in my last painting

Isle D’Hollander – in and out of abstraction

There is something very solitary about Isle D’Hollander’s art. She paints modest and subtle paintings that float in and out of abstraction.  In this review of her exhibition at Victoria Miro in Mayfair, I want to discuss her work as she immerses herself in the now, and interpret the open questions she asks through painting.     D’Hollander’s paintings are like a form of mediation with Belgian landscape; as she tries to capture aspects of the illusion we see.  The uncomplicated studies are painted from memory after long walks and cycle rides.  They have a tranquillity resembling the gently, rolling, green landscape. They are instruction us to be more present with regards to nature,… Read More »Isle D’Hollander – in and out of abstraction