Kerry James Marshall, the American artist, is increasingly being recognised as a significant painter and modern master. His work confronts questions about what is represented in art and more importantly what has been left out. In this review of Kerry James Marshall: History of Painting at David Zwirner’s gallery in London, I want to look at the way Marshall uses in-depth knowledge and understanding of art history to inform his work and inspire a new generation of artists. Kerry James Marshall was born in Birmingham, Alabama and grew up in Los Angles. He currently lives in Chicago. At the beginning of Marshall’s journey to becoming a successful artist, he started, like most… Read More »Kerry James Marshall: History of painting
art exhibition review
A review of Sean Scully’s work – ‘Uninsideout’ exhibition, BlainSouthern London until 17th November Sean Scully, What Makes Us, 2017. ©Sean Scully Courtesy of the artist and BlainSouthern, Photo Peter Mallet In a career spanning 6 decades, Sean Scully in 2018 has 10 solo shows around the world, including an exhibition of sculpture at the Yorkshire Sculpture Park until 6 January 2019. During this review of Sean Scully’s work at ‘Uninsideout’ exhibition at BlainSouthern in London, I want to discuss Scully’s approach to the use form and colour and the intensity in his work. The Irish born abstract painter Sean Scully grow up in London. He later moved to New… Read More »A review of Sean Scully’s work by Stuart Bush
Tomma Abts (1967) is a German-born painter who lives in London. In 2006 Tomma won the Turner Prize and has since gone on to exhibit in many institutions around the world. In this Tomma Abts Serpentine exhibition review, I want to discuss her interesting static compositions and consider what I think the artist wants to say through the work. Tomma Abts’s quiet and unique work could never be described as pretty. Her strange visual illusions at first glance look like 1950s wallpaper. Each painting contains zigzags, puzzles and twists on her trademark sized 48 x 38cm canvases. Tomma worked mainly on canvases of this size for the last 20 years, only recently… Read More »Tomma Abts Serpentine exhibition review
‘All too human, Bacon, Freud and a century of painting life’ at Tate Britain, begins by following British painting after the Second World War. At this time in our history rumours about what had happened during the Holocaust were trickling into the media. During this period many books and essays were written as people tried to come to terms with what had taken place. This experience encouraged intellectuals to look inwards and ask hard questions about the purpose of human existence. It was complexing to hear about the atrocities and then to consider how humans could behave in such a way. The central theme of this exhibition looked at… Read More »Review of ‘All too human, Bacon, Freud and a century of painting life’ Tate Britain
Before, During and ‘Afterimage’ – a review of Sarah Sze exhibition at Victoria Miro Gallery, London.
Sarah Sze is well known for her sculptures of large-scale installations. When l walked into the exhibition I was immediately meet by the flood of ideas. Sarah stimulating installations take the detritus from the frame, and her work appears to explode as if trying to escape. She instinctively relies on her painter’s instincts, as ‘Afterimage’ takes a closer look at the artist’s working practices as she looks at the relationships between objects in space and the contradictions between them. Sarah Sze international art career started in the 1990s. In 2003 she won the won the MacArthur Fellowship. In 2013 she represented the USA at the at the Venice Biennale. She… Read More »Before, During and ‘Afterimage’ – a review of Sarah Sze exhibition at Victoria Miro Gallery, London.
Picasso 1932 – Love, Fame, Tragedy, Tate Modern (8th March – 9th September) The subject of this exhibition ‘Picasso 1932 – Love, Fame, Tragedy,’ is the influence of love, fame and tragedy on Picasso’s painting over a one year period. This year-long output is a rich visual diary which gives away a great deal about the artist; from his professional career to the way he worked and his personal life. There are more the one hundred pieces of artwork, showing his entanglements with love and fame, his convolutions with colour and form, and his intricacies as the 20th century’s most influential artist. Using this review, I am seeking… Read More »Picasso paints want he knows rather what he sees
Hodgkin says goodbye to absent friends – Howard Hodgkin exhibition review at the National Portrait Galley in London
Ever since I was interested in art, I have always seen Howard Hodgkin as one of my artists whose work resonates strongly with me. In this review of Howard Hodgkin’s Absent Friends exhibition at the National Portrait Gallery, I want to explore, understand and put into words (if that is possible) what it is about Hodgkin’s paintings that have managed to turn mere paintings into objects of contemplation and hold my curiosity for so many years. At the same time say goodbye to another great artist; Howard Hodgkin died on 9th March 2017, two weeks before this show opened. Howard Hodgkin was born in 1932. He studied at Camberwell School of… Read More »Hodgkin says goodbye to absent friends – Howard Hodgkin exhibition review at the National Portrait Galley in London
When l saw an image of the installation of Richard’s show l was intrigued and decided to visit. Richard Wilson, the Turner Prize-nominated artist, has been exhibiting for 35 years and has won universal critical acclaim. In this review of his exhibition ‘Stealing Spaces’ at the Annely Juda Fine Art gallery in London l was interested in how he uses different materials and ideas to draw attention to our relationship with space. His work titled, ‘20:50‘ (1987) is an installation of oil in a room up to waist height and helped draw attention to his practice which uses methods of engineering combined with his interest in architecture. … Read More »Re-evaluating our relationship to space – Richard Wilson, Stealing Space, exhibition review
Through painterly questions of scale, content, colour and form I’m interested in expressing physical and emotional vigour of the human body in the city. I often work with and against the silhouette of the figure in the city. I capture the ephemeral with assertive gestures inspired by poetry and music. My process draws attention to the edge of things, to what is already there. I look to create a visual poetry with energy and motion arrested in space by simultaneously hiding and revealing our world to us and focusing on the void in between the things. Exhibition Review Josef Albers is known for his Homage to the Square. He uses a series of variations of the square that illustrated how… Read More »Colour is for squares – Exhibition review of Josef Albers, ‘Sunny side up’
Laura Owen’s exhibition at Sadie Coles HQ in London gives a broad overview of her current work. In her paintings, she uses a range of digitally created images and painted marks in abstract compositions. Laura Owens was born in 1970 in Ohio, she began her art career in the 1990s, more recently she opened her LA studio as an exhibition space called 356 Mission in collaboration with the art dealer Gavin Brown. I was curious to learn more about Laura Owens’s work after I read that Laura Hoptman, a Curator of Painting and Sculpture at MoMA in New York believes she is a Caposcuola, (the founder of an artistic movement) due… Read More »Laura Owens exhibition review