It is easy to be impressed by the work of Jeff Koons. He has an impressive art career and has gained international success. Koons has developed a secure grip on the art market and he can make whatever he wants. He often turns the popular; Michael Jackson with his pet monkey or scoops of Play-doh; into an expensive ceramic or stainless steel sculpture. Plus, Koons is not afraid to make work that could potentially alienate him. It is easy to sneer at his works based on topics like guilt and shame. After all, we are all bound by our own unconscious and conscious signals. He openly encourages opinions on his… Read More »What l see in the work of Jeff Koons
Picasso 1932 – Love, Fame, Tragedy, Tate Modern (8th March – 9th September) The subject of this exhibition ‘Picasso 1932 – Love, Fame, Tragedy,’ is the influence of love, fame and tragedy on Picasso’s painting over a one year period. This year-long output is a rich visual diary which gives away a great deal about the artist; from his professional career to the way he worked and his personal life. There are more the one hundred pieces of artwork, showing his entanglements with love and fame, his convolutions with colour and form, and his intricacies as the 20th century’s most influential artist. Using this review, I am seeking… Read More »Picasso paints want he knows rather what he sees
When I was starting out as an artist, I was having trouble with feelings about the purpose of our human existence. I related to Karl Marx talking about the problems of consumerism and the alienation of labour. Marx stated that if you are cut off from the fruits of your work, then you are cut off from your creativity, and you lose your sense of self. This introspection on existentialism and the influential work of Francis Bacon lead me to become a painter as a creative outlet for my thoughts. I realised I was happiest when I was making something. It needed to be something for me that doesn’t have… Read More »The influential work of Francis Bacon
Allowing freedom in the studio for creative exploration is essential. When I work on a plain sheet of paper or in my sketchbook, I seek to have an openness in my drawings that allows and embraces a large number of directions and options that can be pursued. A chain of evolution takes place in my pictures over an extended period of time and patience is essential. Working on and towards a finished piece too early can make the outcome contrived and often can leave me frustrated. This explorative phase is more like a problem-creation stage than a problem-solving stage. I am looking to generate new ideas to stimulate my visual… Read More »Drawing, The creative act
Beginning an artwork My work starts with street photography. I wander the streets as a Flaneur. Charles Baudelaire, the nineteenth-century poet described a Flaneur in his essay ‘The Painter of Modern Life’ as a stroller and loafer of the city streets observing modern life. Likewise, l wander around the city like a man of leisure as l try to take it all in. Following my intuition and hunches, I take pictures of what seems important to me. I look to capture that important element in the frame of my viewfinder, the essence of the importance of life. The photographs I take allows me to record a rich visual diary.… Read More »How do I begin an artwork? What equipment, materials and techniques do I use?