“Everything is abstract, in my language of paint” I love going for walks, and I often take my camera with me. I sometimes feel like a child discovering nature. As I walk, I react to the spaces. I have come to realise that if I look at what I want to express long enough, I can see everything in shapes, forms, lines and edges. These forces leave marks in my mind and l discover aspects that I have never seen or described before. Everything becomes abstract in my language of paint. I take lots of photographs, they function like preparation sketches or reference material taking me back to that… Read More »Everything is abstract
my passion for art
How the influential work of Francis Bacon inspired me to become a painter As a young adult, I had lots of feelings that confused me and I often didn’t know how to deal with them, words just didn’t seem to fit. My thoughts and experiences felt on the far side of normal. Often I thought l was the only one who felt this unease. When I saw Francis Bacon’s work in a London gallery, it was a remarkable moment for me. It was the first time I had seen someone challenge the intense feelings I felt. Bacon depicted the complexity and chaos that was going on around me and inside… Read More »The influential work of Francis Bacon
Making a better painting than I did yesterday I stand in front of a blank canvas. All the thinking and preparation is done. Inspiration from direct experience and reference material is in my head. New ideas are no good to me now, my overthinking mind needs to stop. I have a conviction; to make a painting. I want to make a better painting than I did yesterday. However, as I stand there, I realise the act of painting is a mystery. Without hesitation, all I can do is pick up a brush and focus on the first mark. After that, I am painting. I like to add a coloured… Read More »Making a better painting than I did yesterday
Following your passion, looking for your creative secret On a wet cold street corner in Chicago, in the worst part of town, you’re experiencing the thrill of observing life with your camera. There is a homeless person on the sidewalk, who looks tired and hungry. As you walk towards him, he looks directly at you, reaffirming life. Looking in his eyes you see through the grime. You recognise his spirit and hope for something more worthy. Your pulse races, you’re witnessing suffering you can hardly imagine. Your hand moves to the shutter. However, you realise that to make the picture work, you need to step further into his personal space.… Read More »What is your creative secret?
Things that catch my eye There is a belief that if you allow yourself, it be distracted from earning money and a professional career like being an accountant or a lawyer; it is to play away from what is essential. I’m afraid I have to disagree. Since I was a child, I have allowed myself to be pulled down a rabbit hole. When most people move on with turning their life away from play, I have stuck at it, allowing myself to indulge in a belief that an interest in what I notice is of value. I have given perception, high importance in my life. I feel lucky to be… Read More »How does a new art work come about?
Swimming through a diamond – Bridget Riley Art Exhibition London review Almost anyone who loves art would be interested to know what the first experience of discovery is like. The moment when a painter notices that ‘something’, and has the opportunity to capture it all. Leading to the dream of a fantastic career as an artist, with an absolute breath-taking body of work, accumulating in a career beyond belief that makes you go goggle-eyed. I imagine Bridget Riley in 1960, aged 29 years old walking by a lake. Her arms are heavy, after a frustrating session in the studio. She is young, gifted and hopefully going places. Her… Read More »Bridget Riley Art Review
Marlene Dumas: the painter’s life In 2004, I started to make a visual diary. It is a great way to tune into what feels important. My visual diary has slowly developed and transformed over many years into a multifaceted body of work. This body of work, like Marlene Dumas’s work, has recorded many of the moments in life that felt relevant and significant. It helps me understand and consider the things l am doing a bit better. Writing about Marlene Dumas’s artwork enables me to articulate what l see and then go deeper into what l, myself, want to achieve when l stand in front of the canvas. Painting… Read More »Marlene Dumas: the painter’s life
Overcoming fear by taking one brushstroke at a time I want to share with you, a story about how I overcame my biggest obstacle and my biggest fear. As I look back to when I finished my post-graduate course in Fine Art in 2007, aged 29 years, I am still surprised how naive I was. I thought I only needed to display my artwork in a proper gallery, it would be seen by someone in the know, and I would be an overnight success. How wrong can I get it! I realise there is no such thing ‘god’s gift’. Unsurprisingly quick success didn’t happen. Instead, shortly after graduation, I had a… Read More »One brushstroke at a time
How Charline Von Heyl inspires me The next Picasso or Braque will not invent cubism. The next Peter Blake or Andy Warhol will not invent pop art. And the next Jackson Pollock or Willem de Kooning will not create the Abstract Expressionist movement. If you are copying these guys, you aren’t learning from them. I realise that of the many successful artists following their path, however, Charline Von Heyl has figured out the real definition of success on the canvas. Von Heyl understands how highly successful artists through the decades have been volleying the ball between themselves. In order to create a meaningful and significant occurrence on the surface… Read More »How Charline Von Heyl inspires me
Is time the artist’s greatest enemy? I dream of sitting in my dusty studio. The pungent scent of turpentine is in the air. I can see the photographs and sketches stuck on the wall. Devils Haircut, by Beck, plays in the background and newspapers, magazines and books litter the paint-covered floor. I have a primed blank canvas on the easel, all ready to go. I sit, staring and reflecting on what to do next. Shall I draw or paint today? I wish there was nowhere else l have to be. I often only wish it was true; that I had nowhere else to be. The idea of being unbound by… Read More »Is time the artist’s greatest enemy?