The next Picasso or Braque will not invent cubism. The next Peter Blake or Andy Warhol will not invent pop art. And the next Jackson Pollock or Willem de Kooning will not create the Abstract Expressionist movement. If you are copying these guys, you aren’t learning from them. I realise that of the many successful artists following their path, Charline Von Heyl, has figured out the real definition of success on the canvas. Von Heyl understands how highly successful artists through the decades have been volleying the ball between themselves. In order to create a meaningful and significant occurrence on the surface of the fabric, like they all did,… Read More »How Charline Von Heyl inspires me
my passion for art
I dream of sitting in my dusty studio. I can smell the pungent scent of turpentine. I can see the photographs and sketches stuck on the wall. Devils Haircut, by Beck, plays in the background and newspapers, magazines and books litter the paint-covered floor. I have a primed blank canvas on the easel, all ready to go. I sit, staring and reflecting on what to do next. I wonder shall I draw or paint today? I wish there was nowhere else l have to be. I often only wish it was true; that I had nowhere else to be. The idea of being unbound by time feels like the ultimate emancipation.… Read More »Is time the artist’s greatest enemy?
I love what I do. I want to go to my studio every day and have a perfect day. On my perfect day I want to express something of significance. Once I am in my studio, my mind starts to make connections. By fostering a studio practice with risk-taking and openness, I open an infinite space. Every painting l create opens a new conversation about, What if? I like to stay open to the possibility of generating tension in my work. I don’t want to overthink what I am doing. Words have never been a strong point of mine, so l stick with making art to express myself. Words about sincere motives and… Read More »What do I love about being an artist?
Tal R’s painting practice follows the traditions of oil painting. The artist walks the streets in Copenhagen near where he lives and works, looking for people, places and objects that appeal to his curiosity. He looks for the moment that he feels is slipping away and paints its soul in vibrant and colourful paintings that at times float into abstraction. Tal’s passion and exhilaration for paint clearly materialises throughout his work. In each painting, he is learning about the endless curiosities with life and paint. I see the pictures like a window into the inquisitive thoughts that are bouncing around in his head. When I look at Tal’s paintings I easily relate to the… Read More »What I see in Tal R’s paintings
The need to make sense of this world through painting began a long time ago. The oldest known cave paintings where more than 64,000 years ago. Why do I paint? I feel a deep need to communicate something. Something I can’t put into words. Painting is my way of finding kindred spirits. When I look at art from the past, I realise I am not that dissimilar to my ancestors and painters of the past. Studying art from the past allows me to explore the many different ways that artists saw the world during their time. It helps me to broaden my perspective and understanding and allows me to see… Read More »Why do I paint?
Tracey Emin’s career was made on ‘My bed’ (1998) and ‘Everyone I have Ever Slept with 1963-1995’ (1995). Other career highlights include Charles Saatchi’s ‘Sensations’ exhibition at the Royal Academy in 1997, her Turner Prize nominee in 1999, and her large retrospective at the Hayward Gallery in 2011. Emin’s reputation has been founded on not only making upfront work and disclosures documenting her colourful life but also for her mastery and skill with a brush in her hand. I went to her latest show at the White Cube in Bermondsey titled ‘A Fortnight of Tears,’ to see if Emin, now that she is 55 and a Royal Academician, is she still relying on shock and revelations about… Read More »Tracey Emin, ‘A Fortnight of Tears,’ exhibition review
At the Whitechapel Gallery in 2016, many thoughts rushed through my mind the first time I saw the painting ‘Crashing Wave (2011)’ by Mary Heilmann. As I looked at the painting it evoked a special moment. I remember being out on my body board on Manly beach, Australia, at complete peace with my surroundings. The air was crisp, and the sun was bright as I pitched forward. I kicked with my flippers while paddling hard with my hands as I took off down into a crystal clear barrel wave. I rode the perfect wave, a foaming mass of white water. The ultimate experience! It was a weird feeling being out in… Read More »The ultimate experience – Crashing Wave by Mary Heilmann
I am happiest when I realise that there is something to investigate, something that doesn’t quite fit. I love the slow development of an idea. The slow convergence of thoughts that often come after a period of incubation. l realise then that there is a problem worth tackling, a problem that is going to become my muse. It is exciting to think that possibly, this concept hasn’t occurred to anyone else. If it has occurred to someone before me, they will likely approached it in a completely different way. I love my work more than what it produces. I love going deeper, I just follow my hunch and allow… Read More »I love my work more than what it produces
I crave for a life without physical, mental or financial constraints. It has been my intention not to have limits on what I do, what I say or how I spend my time. I want to make what I want, when I want. One of the attractions of being an artist is the concept of free expression. However, our culture, often wires us up to do what is safe and sensible. In my experience, it takes discipline to have creative freedom. Commercial art is a good, sensible way of making a living from art. It has a project outline, a list of do’s and don’ts and set deadlines. To get paid you… Read More »It takes discipline to have creative freedom
I recently read a book by Malcolm Gladwell called David and Goliath. The theme of the book highlights how we are misled about the nature of our advantages and disadvantages. Gladwell explains that it isn’t always correct that our disadvantages preventing us being successful in life. “We have a definition in our heads of what an advantage is — and the definition isn’t right. And what happens as a result? It means that we make mistakes. It means that we misread battles between underdogs and giants. It means that we underestimate how much freedom there can be in what looks like a disadvantage.” In chapter four, Gladwell starts with the question,… Read More »Wishing for dyslexia