Making a better painting than I did yesterday I stand in front of a blank canvas. All the thinking and preparation is done. Inspiration from direct experience and reference material is in my head. New ideas are no good to me now, my overthinking mind needs to stop. I have a conviction; to make a painting. I want to make a better painting than I did yesterday. However, as I stand there, I realise the act of painting is a mystery. Without hesitation, all I can do is pick up a brush and focus on the first mark. After that, I am painting. I like to add a coloured… Read More »Making a better painting than I did yesterday
Following your passion, looking for your creative secret On a wet cold street corner in Chicago, in the worst part of town, you’re experiencing the thrill of observing life with your camera. There is a homeless person on the sidewalk, who looks tired and hungry. As you walk towards him, he looks directly at you, reaffirming life. Looking in his eyes you see through the grime. You recognise his spirit and hope for something more worthy. Your pulse races, you’re witnessing suffering you can hardly imagine. Your hand moves to the shutter. However, you realise that to make the picture work, you need to step further into his personal space.… Read More »What is your creative secret?
Things that catch my eye There is a belief that if you allow yourself, it be distracted from earning money and a professional career like being an accountant or a lawyer; it is to play away from what is essential. I’m afraid I have to disagree. Since I was a child, I have allowed myself to be pulled down a rabbit hole. When most people move on with turning their life away from play, I have stuck at it, allowing myself to indulge in a belief that an interest in what I notice is of value. I have given perception, high importance in my life. I feel lucky to be… Read More »How does a new art work come about?
Swimming through a diamond – Bridget Riley Art Exhibition London review Almost anyone who loves art would be interested to know what the first experience of discovery is like. The moment when a painter notices that ‘something’, and has the opportunity to capture it all. Leading to the dream of a fantastic career as an artist, with an absolute breath-taking body of work, accumulating in a career beyond belief that makes you go goggle-eyed. I imagine Bridget Riley in 1960, aged 29 years old walking by a lake. Her arms are heavy, after a frustrating session in the studio. She is young, gifted and hopefully going places. Her… Read More »Bridget Riley Art Review
Marlene Dumas: the painter’s life In 2004, I started to make a visual diary. It is a great way to tune into what feels important. My visual diary has slowly developed and transformed over many years into a multifaceted body of work. This body of work, like Marlene Dumas’s work, has recorded many of the moments in life that felt relevant and significant. It helps me understand and consider the things l am doing a bit better. Writing about Marlene Dumas’s artwork enables me to articulate what l see and then go deeper into what l, myself, want to achieve when l stand in front of the canvas. Painting… Read More »Marlene Dumas: the painter’s life
Overcoming fear by taking one brushstroke at a time I want to share with you, a story about how I overcame my biggest obstacle and my biggest fear. As I look back to when I finished my post-graduate course in Fine Art in 2007, aged 29 years, I am still surprised how naive I was. I thought I only needed to display my artwork in a proper gallery, it would be seen by someone in the know, and I would be an overnight success. How wrong can I get it! I realise there is no such thing ‘god’s gift’. Unsurprisingly quick success didn’t happen. Instead, shortly after graduation, I had a… Read More »One brushstroke at a time
Learning how to live as an artist – Stuart Bush Studio Notes It feels like it has taken me a long time to work out what I think is important and to trust myself. When it comes to sharing my errors and experiences, I want to be an open book. There is a lot to learn from small discoveries, successful experiments and breakthroughs, in the studio, in life and from a positive personal outlook. There is also stuff that I wish someone had shared with me. I use to hate making mistakes. However, now, my perspective on how to live as an artist has turned full circle. I am grateful… Read More »Learning how to live as an artist
Pretending to be a painter When I hear a negative voice in my head saying, “I am in over my head, they are going to find out,” this little voice reminds me I am not good enough. It seeks to devalue myself worth causing me to underestimate myself. Then I come to the conclusion that l must be mad about choosing to be an artist. I realise that l have volunteered myself for all this self-doubt. I feel like l am pretending to be a painter. If l am not careful the voice gets out of control and my self-confidence is eroded. It is hard to break the psychological… Read More »Pretending to be a painter
What do I love about being an artist? I love what I do. I want to go to my studio every day and have a perfect day. On my perfect day, I want to express something of significance. Once I am in my studio, my mind starts to make connections. By fostering a studio practice with risk-taking and openness, I open an infinite space. Every painting l create opens a new conversation about, What if? I like to stay open to the possibility of generating tension in my work. I don’t want to overthink what I am doing. Words have never been a strong point of mine, so l stick… Read More »What do I love about being an artist?
A painting has to stand up by itself Often when a viewer looks at works of art they ask themselves, ‘why did the artist make this?’ However, I believe that understanding the original idea or intention of my work defeats my ambitions for this artwork. Instinct led me to paint this painting. A painting has to stand up by itself. By trying to understand my instincts my aims are never going to be clear. Creativity is instinctive, and it is buried within me. I’m interested in this part of myself. I am curious about exploring what I am hung up on. I’m not in control of what comes out. Braque… Read More »A painting has to stand up by itself