In 1973 Alex Katz had his first exhibition at the Marlborough Gallery in New York. At the same time, Abstract Expressionism was riding a wave of popularity in New York. Katz believed and trusted that what he was interested in was of substance and significance, even though it went against the grain.
On first impressions, Alex Katz’s work appears to be about people and daily life. However, it doesn’t take long to realise that the subject matter is just the outer most boundary of the painting and Katz has a lot more on offer in his paintings. Katz focuses on ordinary, everyday life as a subject, but his paintings are anything but ordinary. The style, the present moment and formal qualities are the real focus of his work.
Related blog post; What I learnt from Alex Katz
Even though he received negative comments about his work from the likes of Clement Greenberg, Katz’s supreme confidence and clarity gave him the self-belief that his paintings could stand up against his peers. He took on the Abstract Expressionists with their large canvases, and he tried to knock them dead with the power of his images.
The paintings are clearly figurative, but the spaces within the picture creates abstract elements. Katz’s, by simplifying the shape and form of colour in his pictures created a type of grammar that is abstract. This grammar brings the composition together giving the paintings a spirit and energy.
Related blog post; What I have learnt from Alex Katz
The surface of the painting is all done with a quick flick of his brush, allowing a vast canvas to be painted in under 5 hours. The brushwork is simple, creating an almost naive shorthand that is precise and unfussy. You can tell that Katz isn’t exaggerating about the 1000s of paintings he threw away in order to get the ‘big technique’ mastered.
By understanding how Katz has removed the illusion of depth and focused on style and fashion and the light on the surface, I have learnt a lot about how Katz has a created an ever-changing image of the presence. In 1947 Adolph Gottlieb said, “The role of the artist has always been that of image-maker. Different times require different images…To my mind, certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time”. Katz’s paintings really have created the realism and the immediate presence of time. The ordinary is flat, but it has an intensity about it that is stimulating and sensational. Alex Katz’s has the right to be satisfied and self-assured, his work is always about the now.
Alex Katz; Coca-Cola Girls is currently on show at the Timothy Taylor Gallery in London until 21 December 2018.