I remember just starting out as an artist, and I didn’t know what to paint. The choice seems so vast and momentous. I was often lost in thought as I was worried about making the wrong decision. I wasted a lot of time and energy when l should have just got started. Recently I heard this advice from Herbert Swope (b 1958) the editor and journalist, “I can’t give you a sure-fire formula for success, but I can give you a formula for failure: ‘trying to please everyone all the time.” Although these words of wisdom do not come from an artist, it is excellent advice. It took me a while to figure it out that l shouldn’t be trying to please everyone, in fact, that was the last thing I should be trying to do.
It is quite common when you’re new to painting to work on getting between three to ten points of interest in a painting. My main point of interest in my early paintings was the angst I was feeling. I wanted my audience to feel what I felt.
I made it easy for people to easily understand this feeling and point of view. However, l have learnt that l need to leave each painting open to interpretation. A strong painting works on many more levels. This allows everyone to look deeper and to see different things in the work. The sleigh of hand is to take stuff out rather than put things in.
I paint the painting I want to see. As I know, there is a lot of people who have the same tastes as me. I ask myself what really excites me? What can I uniquely achieve on a canvas? If there are some tough steps I need to do to achieve my next painting, then I need to do those hard steps.
I have done this by learning to say no. Often painting is a choice of what not to do. I now know I don’t need to be worried about whether people like it or not. I have learnt that whatever I choose to do will be worth the hard work. As long as I live a life of total engagement with my work, I will be content. When that commitment comes through my work, the choice of what I paint doesn’t matter. Apparently, there are 100,000 people with similar interests to me somewhere in the world. l paint a painting that I would be thrilled to see. My audience is a stadium of me!
“The biggest mistake as an art student, is to try to learn from an artist example. If you like Philip Guston, you can not learn from how a hand holds a cigarette, the motive from him. You have to learn to step one step further back. To understand the method without figures. How they do it before they do it.” Quote by Tal R. Playing around with gouache paint on paper in the studio #stuart.bush #gouachepainting #lineartwork...
Congratulations to Jenny Saville from London for winning my June print giveaway. The print ‘Just a feeling and not just the truth’ looks great at the bottom of your stairs, on your hall wall.
It was nice to meet you, talk, and chat by delivering the framed print in person. I hope your husbands gets better soon. Best wishes.
It is easy to feel helpless, like we are in the flow of the river. And we are looking for something to grab hold of. To pull ourselves out. This is where I think art can make a difference.
Connecting us with our sense. I hope my print can help to do that. I’m into beauty, but not pretty pictures. I want to make something that rattles you and makes you think. Art on your wall, and this print in particular, can ￼help you to reflect on the moment, and the past and of course the present.
When you look at it once, it hasn’t sunk yet. It takes repeated viewing. When you live with an artwork in your walls and you see it everyday, the artwork slowly reveals itself. #printgiveaway #artprints #framedartwork...
“Free and alone in the maze of the city, the flâneur craves a revelation that might change his life and destiny.” Quote by
Federico Castigliano #flaneur #inthecity #figurepainting painting by #stuartbush...
Reed Hoffman said “if you're not embarrassed by the first project you launch you're too late” I feel awkward and uncomfortable showing these new artworks for the first time. It is still #workinprogress...